Sakhi of his melodies singing.
It was a dark and moonless night; the clouds were heavy with rain as it was the monsoon season. Suddenly lightning flashed and thunder sounded as a few raindrops started to fall. The village was asleep. Only Nanak was awake and the echo of his song filled the air.
Nanak’s mother was worried because it was pitch dark and day break was far away. The lamp in his room was burning. She could hear his melodious voice as he sang, restraining herself no longer she knocked at his door. “Go to sleep, my son, the sun is a long way ahead.” Nanak became silent. From the darkness sounded the call of the sparrow-hawk. “Piyu, piyu, piyu!” it called.
“Listen, mother!” Nanak called out. “The sparrow-hawk is calling to his beloved; how can I be silent, because I am competing with it? I will call my beloved before he calls his – even for longer because his beloved is nearby, perhaps in the next tree! My beloved is so far away. I will have to sing for lives upon lives before my voice reaches Him.” Nanak resumed his song.
Guru Nanak’s path was, is and will ever remain decorated with endless rows of true flowers; he realised God by singing virtues of God and following a life of true deeds. Guru Nanak did not practise normal Hindu austerities, meditation or yoga; he only sang in the beautiful poetic forms of the time. Singing, often extemporaneously, with all his heart and soul, so much so that his singing became his meditation, his purification and his yugam (yoking ones self to the almighty, to Satguru. This was Nanak’s path; decorated with true flowers of song, songs of glory and praise of the Almighty Lord.